Narrative Drive

Narrative drive, when used correctly, can encourage a reader to continue reading in order to discover what happens next in a story. Two stories which make excellent use of narrative drive are Home by Russel Smith, and A Perfect Day for Bananafish by J.D. Salinger. First, let's begin with Home. Smith has written this novel in the 2nd person narrative mode. The frequent use of personal pronouns such as "you" help the reader relate to the story. By never specifying the identity of the protagonist, Smith has created a situation where each individual reader can create a protagonist for the story in their own mind. This is an effective form of narrative drive because it makes a connection between the reader and the character(s) in the story, which encourages the reader to continue reading. Smith's use of descriptive and sensory detail also create narrative drive. By adding detail to his story, Smith creates a visceral world in which the reader can get lost. For example, instead of Smith writing that the protagonist simply entered a room, he goes on to describe the room as, "...brightly lit, low ceilinged, furnished with long trestle tables scarred with initials."
J.D. Salinger's short story, A Perfect Day for Bananafish also uses narrative drive to great effect. One of the ways in which Salinger does this is by foreshadowing the later events of the story. At the beginning of the story, Muriel's mother tells her that, "...there's a chance - a very great chance, he said - that Seymour may completely lose control of himself." The reader is told very early in the narrative of the story that it's likely that Seymour will lose control of himself due to his shell shock. This probability of an outburst of insanity keeps the reader interested throughout the story, wondering when and where Seymour will finally lose control. It is only right at the end of the story that Seymour finally shoots himself, which forces readers to read through the whole story until they are finally rewarded with Seymour's death. Another example of narrative drive is how Seymour interacts with Sybil. In order to lull Sybil into a false sense of security, Seymour appeals to her imagination by telling her stories. While completely false, these stories serve to entertain the reader, encouraging them to continue onwards. In this way, Salinger ensures that the reader continues to read his story right to the end.